Nigerian dancehall singer Cynthia Morgan, now known as Madrina, has once again taken a public swipe at her former label boss, Jude Okoye, in a post that has sparked widespread conversation across social media. In a fiery statement shared on X (formerly Twitter), the outspoken artist declared, “God cannot be mocked; you will reap what you sow,” directly hinting at long-standing grievances with the music executive.
The fresh jab is the latest in a drawn-out dispute that has lingered for years since Cynthia Morgan’s highly public fallout with Northside Entertainment, the label owned by Jude Okoye. The feud initially exploded in 2020 when Cynthia accused Jude of stalling her career, taking over her VEVO account, and owning the rights to her name and music catalogue. Jude Okoye, however, denied most of the allegations and shared contractual documents to defend himself.
Though the controversy cooled in the months that followed, Cynthia Morgan’s latest post shows the rift is far from healed. Fans were quick to react, with many taking sides—some supporting Cynthia for speaking her truth, while others questioned why she continues to dredge up past battles in public.
This new outburst is also generating buzz within the Nigerian entertainment industry, with some insiders speculating that the renewed fire could be tied to Cynthia’s upcoming music or rebranding efforts. Having battled health challenges and career setbacks in recent years, Madrina has been gradually returning to the spotlight, dropping snippets of unreleased music and engaging with fans more actively.
Despite the drama, Jude Okoye—also known for managing the now-defunct Psquare—has maintained silence on the latest accusations. Whether he will respond remains to be seen, but Cynthia’s statement has already reignited discussions about artist-label dynamics in Nigeria’s fast-paced music industry.
As this saga unfolds once again, industry watchers and fans alike are keeping a close eye on what comes next. One thing is clear: Cynthia Morgan is not ready to let the past be forgotten—especially when it comes to her music legacy.